Welcome to SKYLAB… You have arrived.

World class post production services for film and TV in a comfortable, well appointed facility located in Vancouver’s historical Gastown.

Avid Edit Suites, Baselight Colour Grading, Screening Room, Dolby Vision Certified!

Avid Edit Suites

All new hardware, NEXIS shared storage, full support, high security, electronic sit-stand desks, comfortable furnishings, high-speed internet, sound-proofed, and a selection of accessories. Centrally located with great lunch options!

Technical and Creative Services

Avid Media Composer edit suites and office rentals
Look Development & Color Grading on Baselight™
HDR Mastering (ACES EXR, Dolby Vision IMF, etc)
D-Cinema Mastering (DCDM & DCP)
Screening/ presentation facilities
Audio mixing (5:1 and 7:1)

… and more!

Our passion is developing innovative workflows that achieve spectacular results.

With over 20 years in the post production industry we have worked on a broad range of projects—from TV shows, music videos, documentaries and multi-award winning independent films to big budget commercials for SEAT, TOYOTA and MERCEDES as well as numerous Hollywood heavy-hitters including WARCRAFT, PLANET OF THE APES, CHAPPIE, and THE ANGRY BIRDS MOVIE.

[Click thumbnails to see more…]

Angry Birds Movie (2015)
Trailers

Rovio Entertainment | Sony Pictures Animation
Directors: Clay Kaytis, Fergal Reilly | Trailer Colorist: Chris Macdonald
Finish: 2K D-Cinema, HD Broadcast, Facebook, Twitter, Instagram
Watch it here

Toyota Tundra Spot (2014)

Raven Films Inc
Colorist: Chris Macdonald
Finish: HD Broadcast

Koneline
(2015)

Canada Wild Productions | Telefilm Canada
Director: Nettie Wild | DP: Van Royko
Colorist: Andrea Chlebak
Shot On: RED EPIC, Sony F55, Mixed formats | Finish: 2K D-Cinema

Mercedes GLE AMG US Open Spot (2015)

Wondros Commercial Division
Directors: Arni & Kinski | Finish: HD Broadcast
Watch it here

Patterson’s Wager
(2014)

Silent Ibis Entertainment
Director: O. Corbin Saleken | DPs: Graham Talbot, Nelson Talbot
Shot On: RED EPIC | Finish: 2K D-Cinema

Lord Jones Is Dead
(2015)

Flicker Theory
Directors: Austin Andrews, Andrew Holmes | DP: Trevor Calverly
Colorist: Chris Macdonald | Color: ACES
Shot On: RED EPIC | Finish: 2K D-Cinema

Kahlil Gibran’s The Prophet
(2015)

G-Kids | Screen Partners
Director: Roger Allers | Colorist: Andrea Chlebak
Finish: 2K D-Cinema, 35mm, HD Broadcast

Chappie
(2015)

Sony Pictures Entertainment | MRC
Director: Neill Blomkamp | DP: Trent Opaloch
Colorist: Andrea Chlebak | Color: ACES
Shot on: RED EPIC | Finish: 4K D-Cinema, 35mm, 4K Broadcast

Elysium
(2013)

Sony Pictures Entertainment | MRC
Director: Neill Blomkamp | DP: Trent Opaloch
Colorist: Andrea Chlebak | Color: ACES
Shot on: RED EPIC | Finish: 4K D-Cinema, 35mm, 4K Broadcast

The Good Son

St Sophia, LLC
Director: Jesse James Miller | DP: Ian Kerr CSC
Colorist: Andrea Chlebak | Shot On: RED ONE, Mixed Archival

Becoming Redwood

StoryLab Productions
Director: Jesse James Miller | Cinematographer: David Crone
Colorist: Andrea Chlebak | Shot on: RED ONE (MX)

In Their Skin

Sepia Films
Director: Jeremy Power Regimbal | Cinematographer: Norm Li CSC
Colorist: Andrea Chlebak | Shot on: RED ONE (MX)

Arctic Air

CBC / Omni Film Productions
Executive Producer/Director: Gary Harvey | DP: Bruce Worrall CSC
Colorist: Andrea Chlebak | Shot on: RED ONE (MX)

Endgame

Showcase Television | Thunderbird Films
Producing Director: David Frazee | Cinematographer: Mathias Herndl
Colorist: Andrea Chlebak | Shot on: RED ONE (MX)

Facing Ali

Lionsgate Entertainment | Network Films | Spike TV
Director: Pete McCormack | Cinematographer: Ian Kerr CSC
Colorist: Andrea Chlebak | Shot on: RED ONE, Mixed Archival